"Multi universe"

長年様々な光を扱ってきた経験からもたらされる独自の色彩感覚や、メディアの枠業界の枠を超越したバラエティ豊かな作品性・表現幅がチャームポイントです。この宇宙、多次元宇宙のように。

私の名前は"雄大(Takehiro)"。”雄大”の意味は、眺め・構想などの規模がすぐれて大きく、感動をもよおすほどであること。

これらのアートワークは、他者の表現にはない、自分自身の本質を表現した唯一無二のマスターピースです。

私は独学で試行錯誤を繰り返しながら、多くの現場経験を積んできました。

照明制作、空間インスタレーション、クリエイター・コミュニティ空間、ビデオプロジェクションなど、さまざまなメディアで表現を追及してきました。

それらの表現の中で、瞬時に色彩と陰影と輝度を操るスキルを磨きました。また、空間の中で、人や物や光や音が織りなすバイブレーションと自身のインナーが共鳴する感覚を培ってきました。

私の作品には、そうした技術的な側面に加え、フィールドワークによる先住民との交流、世界各地での実体験による持続可能な社会や精神性の探求などの「深さ」が反映されています。

つまり、単なる美しい、一過性の作品ではありません。私の作品に込められているのは、一種の哲学であり、人生そのものです。

例えば、私の作品の多くは最終データがデジタル化されています。それらはアナログとデジタル、古代と未来、プリミティブとテクノロジー、文化の融合を意図して制作されています。それらは互いに対立するものではなく、すべてが美しく調和している世界を表現しています。それは、私があらゆる文化圏で経験してきたからこそできる表現です。

私の作品を見ていると、古と未来が混在しているように感じられると思います。

すべてが現在に凝縮されているのです。

これらの作品がAIによって作られたのか、人間によって作られたのかわからないという感覚を得るかもしれません。そうしたことで、あらゆる文化が融合していくのです。

ある意味、自然とテクノロジーの共存を考えている、今の人類らしい作品だと思います。実際は、AIではなく、私、自然、テクノロジーの幾何学が作品を作っています。

The unique sense of color brought about by my many years of experience working with various types of light, and the rich variety and range of expression in my work that transcends the boundaries of the media frame industry are the charm points of my work. 

This universe, like a multidimensional universe.

My name is "雄大[Takehiro]". My name means "grand" in Japanese, meaning that the scale of the view or conception is so great that it is inspiring.

I am self-taught and have gained much field experience through trial and error.

I have pursued expression in a variety of media, including lighting production, spatial installation, creator community spaces, and video projection.

In these expressions, I honed my skills to instantly manipulate color, shade, and luminance. I also cultivated a sense of my own inner resonance with the vibrations of people, objects, light, and sound in the space.

In addition to such technical aspects, my art works also reflect the "depth" of my experiences of interacting with indigenous peoples through fieldwork and exploring sustainable societies and spirituality through actual experiences around the world.

In other words, these are not just beautiful, transient works. What is contained in my works is a kind of philosophy and life itself.

For example, many of my works are digitized in the final data. They are created with the intention of blending analog and digital, ancient and futuristic, primitive and technological, and cultural.

They are not in conflict with each other, but rather represent a world where everything is in beautiful harmony. It is an expression that is possible because of my experience across all cultures.

When you look at my work, you get a sense of a mixture of the ancient and the future, don't you?

That means everything is concentrated in the present.

You may get the sense that you do not know whether these works were created by an AI or by a human. In doing so, all cultures will merge.

In a way, I think it is a work that is very much like today's humanity, thinking about the coexistence of nature and technology. In fact, it is not AI, but me, nature and technological geometry that makes the work.

It does not matter what media I use. What is important is "whether the artist is able to express himself/herself. I believe that is where the value lies. I believe that this is the result of mental training through the work of facing one's inner self.

Best regards.

『Creative Humanity ∞』

The time is at hand when machines will replace people to do simple tasks.

It is only a matter of a few years since cell phones became popular and smartphones exceeded 50% global penetration.
Researchers agree that the development curve of technology is not a straight line, but a sharp upward curve.
This will be clear from the examples we have seen so far.
Times are accelerating.
And even now, society continues to undergo a remarkable period of change.

What will the next generation of human beings need now that the foundations of society have been shaken up and the coming of singularity is just around the corner?

It is to gain "creativity" that breaks through existing concepts.

I believe that pure "play" is what is needed to gain the creativity that we have gained through various experiences.

I feel that this is true not only in art, such as painting, but in all fields, including agriculture, food service, and the service industry.

Play in the world, play in another dimension, play in another world.

What is it that one accomplishes? What is living?

The infinite creativity of humankind that spreads out beyond that.

While using crossover methods of expression, my very existence itself becomes a "living work of art" spun by "improvisation," and I inspire many people to create a new civilization for the next generation of the earth.

Beyond the universe.

このサイトの名前である”Source”は『全ての源』『情報の発信源』などの意味があります。

過去と未来を繋ぐ"今ここ"から、多様なカルチャーを繋ぎ、”表現を超えた表現”を発信していきます。

The name of this site, "Source," means "the source of everything" or "the source of information.

From the "here and now" that connects the past and the future, I will connect diverse cultures and transmit "expression beyond expression.

建築家の父と英語教師の母の間に生まれる。青山学院大学卒。大手総合空間デザイン会社の後、半外資系の特殊不動産デベロッパー勤務。退職後、コミュニティー、照明、立体造形、空間、映像、音楽、絵画、映像など表現分野を超えてマルチな才能を活かし活動する。生きるアートとして、何事も全て独学の即興表現で創造することを好む。あらゆるジャンルを超えて繋ぐ表現を行う。

I was born to an architect father and an English teacher mother. Graduated from Aoyama Gakuin University. After working for a major general space design company, worked for a semi-foreign special real estate developer. After retiring from the company, I have been working with his multiple talents across expressive fields such as community, lighting, three-dimensional modeling, space, video, music, painting, and film. As a living art, I prefer to create everything in my own unique, self-taught, improvisational expression. My expression transcends and connects all genres.

1987

埼玉県生まれ。

建築家と英語の教師の両親の下育つ。

幼少期、イルカやクジラの声、アンビエント、クラシック、催眠能力開発音源を聴いて育つ。

皆で遊べる新しい遊びを自分で作ること、絵画や図工、ジャンクアートとフィルムカメラにハマる。

2011

大手空間デザイン、インテリア、建築会社　勤務

2014

半外資系の特殊不動産デベロッパー勤務

歩道を歩いているときに玉突き事故により軌道が変わった車に突っ込まれ療養。退社。

2016

現代社会の中で長く都市型ライフスタイルを送ってきたが、退職後ハワイ島に行き、原住民族のカルチャーに洗礼を受ける。世界中の最先端のオルタナティブカルチャーを巡る。

帰国後、雇われない在り方への興味や、都市の喧騒の中で、心休まる自然を感じる灯りを灯したいという思いが湧き上がる。

インテリア、特に光への興味から『照明作家』として活動開始。

自然と共に暮らす人々の叡智や世界中のオルタナティブなカルチャーから学んだ豊かな生き方に関する講演会を行い満員御礼の好評を博す。高校生の進路相談に乗る。

2017

沖縄のジャングルの中でエコビレッジの開業支援を行う。

照明の規模を拡大し、『演出照明』『空間装飾』を行う。

瞑想で山籠りをする。

2018

空間装飾の規模を拡大し、コミュニティの要素を取り入れ、建築をDIYしながら３年間クリエイター向けシェアハウス・ゲストハウス経営を行う。誰もが持つ創造性を発揮する機会創出の為、芸術祭含めイベントも月1−2本精力的に行う。

ネイティブアメリカンとスウェットロッジを行う。

2019

空間操作の自由度を高めるため、空間全体への映像インスタレーション/VJを始める。

音と完全に同期した光の即興演奏を行う。

映像インスタレーションを通じて、光と音という抽象的で根源的なものに興味を持つ。音楽制作を始め、毎週ステージに立つ。

南米式シャーマンセレモニーでイニシエーションを受ける。この世は果ての無い無限の世界だと感じる。

2020

創作活動を通して、抽象的な領域やシャーマニズムや精神世界への接近からビジョンアート(絵画)制作を始める。

2021

自然世界遺産の屋久島で、人間の営みを含む自然や宇宙の美や不思議を素材にした写真や音楽の制作活動を行う。

1987
I was born in Saitama Prefecture, Japan.
Raised by two parents, an architect and an English teacher.
I grew up listening to dolphins, whales, ambient, classical, and hypnotic music.
I'm addicted to creating new games for everyone to play by myself, painting, arts and crafts, junk art, and film cameras.

2011
I worked for a major space design, interior design, and architecture firm

2014
I worked for a semi-foreign special real estate developer
Recuperated after being hit by a car that changed its trajectory due to a pile-up while walking on the sidewalk. Resigned from the company.

2016
After a long urban lifestyle in the modern world, I went to the Big Island of Hawaii after retirement and was baptized into the indigenous culture. Traveled to cutting-edge alternative cultures around the world.

After returning to Japan, my interest in a non-employed way of being and his desire to light a restful, nature-inspired light amidst the hustle and bustle of the city began to grow.
My interest in interior design, especially light, led me to start working as a "lighting artist.
I have given lectures on the wisdom of people living with nature and the abundant way of life learned from alternative cultures around the world, which have been well received by full houses. I counsel high school students on their career paths.

2017
I supported the opening of an eco-village in the jungle of Okinawa.
Expanded the scale of lighting to include "production lighting" and "space decoration".
Make a mountain retreat in meditation.

2018
I will expand the scale of spatial decoration, incorporate elements of community, and manage a share house/guest house for creators for 3 years with DIY architecture. I also holds 1-2 events a month, including art festivals, to create opportunities for everyone to express their creativity.
Sweat lodge with Native Americans.

2019
Started video installation/VJ throughout the space to increase freedom of space manipulation.
Perform light improvisation in full synchronization with sound.
Through video installations, I became interested in the abstract and fundamental nature of light and sound. Began making music and performing on stage weekly.
Received initiation in a South American-style shamanic ceremony. I feels that this world is endless and infinite.

2020
Begins creating visionary art (paintings) through creative work, approaching the abstract realm, shamanism, and the spiritual world.

2021
In Yakushima Island, a World Natural Heritage site, I began creating photographs and music using the beauty and wonder of nature and the universe, including human activities.